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StankoniaOutKast
Hip-Hop · 2000s

Stankonia — 2000

OutKast

Released 2000Hip-Hop
Classic99247 Verdict
Score

A wildly inventive blend of funk, electro, gospel and rap that pushed Southern hip-hop into the future. 'B.O.B.' and 'Ms. Jackson' anchor it. Restless, joyful and ahead of its time. Sits between the landmarks and earns its spot.

On vinyl: Vinyl can be scarcer than the CD from this era, so it's worth looking for a recent repressing.

Background

Stankonia was released in 2000 as OutKast's fourth album, marking a significant sonic departure from the more straightforwardly Southern funk and soul influences of their earlier work toward a denser, more experimental sound incorporating elements of drum and bass, rock and psychedelic production, largely self-produced by the duo alongside their in-house production team Earthtone III.

Sound

'B.O.B. (Bombs Over Baghdad)' opens the album at a breakneck tempo built on frantic drum-and-bass-influenced programming and gospel choir vocals, a combination that sounded almost entirely unlike anything else in hip-hop at the time of release. 'Ms. Jackson' became the album's biggest commercial hit, a candid, melodically driven apology addressed to an ex-partner's mother following a difficult co-parenting situation, delivered with unusual emotional directness for a mainstream rap single.

Range

'So Fresh, So Clean' brought a smoother, funk-indebted groove built around a sample of Patti LaBelle, showcasing the duo's ability to move between the album's more chaotic experimental tracks and warmer, more accessible material without the record feeling disjointed. Andre 3000 and Big Boi's contrasting vocal styles and personalities — one more melodically adventurous and eccentric, the other more grounded and rhythmically precise — gave the album a dynamic push and pull that ran through virtually every track.

Legacy

Stankonia is widely regarded as one of the most inventive and influential hip-hop albums of its era, its willingness to incorporate rock, electronic and gospel elements without diluting its Southern hip-hop identity helping to expand what mainstream rap albums could sound like commercially. It remains a high point of OutKast's catalogue and a frequently cited example of hip-hop's capacity for genuinely wide-ranging musical experimentation within a commercially successful framework.

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Tracks from this album on our lists

We don't reproduce full tracklists — only the songs from this record we've featured in our best-of lists.

More from OutKast — where to go next

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